AudioShake’s research team released a paper on formatting-aware lyric transcriptions with unprecedented accuracy. — The AudioShake Research team found that public ALT benchmarks have focused exclusively on word content while ignoring the finer nuances of written lyrics including punctuation, line breaks, letter case, and non-word vocal sounds. These elements — which are implemented in the guidelines of music industry leaders for lyrics including Apple…

Downtown Artist & Label Services harnesses LyricSync to create localized marketing assets for Lala Sadii’s song “Murder My Feelings” — Following the release of Lala Sadii’s “Murder My Feelings” Downtown Artist & Label Services leveraged a number of cutting-edge AI tools and AudioShake innovations for marketing and promotion. This included our latest product, LyricSync. With over 20M followers, Lala Sadii is no stranger to creating a swath of engaging content…

BMG and Nina Simone’s estate partner with AudioShake on spatial mix of Little Girl Blue, mixed by Immersive Mixers. — Working closely with Nina Simone’s estate, BMG approached AudioShake with the original master tapes of Little Girl Blue. They needed stems from her songs so that the audio engineering team at Immersive Mixers could build a high-quality mix. Using AudioShake’s AI, Immersive Mixers created stems that they could work with in the final mix of the album.

In a year of historic AI innovation, TIME selected AudioShake as one of this year’s inventions changing “how we live, work, play, and think about what’s possible.” — Today, we were included in TIME’s Best Inventions of 2023 and we couldn’t be more honored to join so many exciting companies on this list. The award punctuates a year in which we rapidly expanded the capabilities and applications for our sound separation technology. This included launching new features, partnerships with emerging audio and music startups, and even introducing AudioShake to entirely new industries.

Wise Music Creative taps AudioShake to land a sync deal for the trailer of 20th Century Fox picture “Amsterdam” — Wise Music Creative had the perfect track to accompany the trailer for 20th Century Fox picture “Amsterdam.” However, the song, “Don’t Let Me Be Misunderstood” by Santa Esmeralda, was produced in the 1970’s and they no longer had access to original project files. AudioShake’s AI was able to cleanly separate…

LyricSync creates clean, time-stamped lyric transcriptions with high accuracy — using AudioShake’s award-winning vocal isolation technology. — AudioShake’s newest lyric transcription service, LyricSync is capable of creating clean and time-stamped lyric transcripts. The service can also timestamp and sync at a word-by-word level, achieving more than 95% accuracy (averaged over multiple languages). In seconds, our tool can transcribe lyrics in 40+ languages at a high level of accuracy, reducing both the time and cost of transcription and alignment.

AudioShake helps unblock a long-standing challenge in dubbing, transcription, and captioning technology with a new dialogue, music, and effects separation model. — AudioShake’s dialogue, music, and effects separation technology presents a solution by cleanly separating dialogue and background audio from a video or audio file, allowing ASR, captioning, and dubbing services to benefit from cleaner input audio. This results in much more accurate transcription rates.

Using AI stem separation to master a 20th anniversary album for The Libertines with Rough Trade Records. — Leading up to the 20th anniversary of the iconic British album Up The Bracket by The Libertines, Rough Trade Records set out to remaster the album but found that the project files and stems were no longer available. The label’s team of engineers and producers were able to use AudioShake’s stem separation AI to create stems from the master tracks, from which they could mix a brand new album.

Immersive Mixers worked with AudioShake stems to mix the latest movie’s soundtrack in Dolby Atmos. — For the latest film, Fast X, the franchise tapped Daniel Rowland and Matt Guiler of Immersive Mixers to mix songs on the accompanying soundtrack in Dolby Atmos. When they found they were missing the audio files or they either formatted in a stereo mix, Daniel and his team were able to use AudioShake to create stems from both these stereo mixes and instrumentals so they could properly mix in Dolby Atmos.